Forward to a Friend
 
 
 
July 2017 Newsletter  |  Number 147
 
 
 
 
Quick Links
 
 
 
 
 
Upcoming Classes

Small Group Workout - 7/6
L.A. Agent Connection - 7/8-9
Long Form II - 7/11-18
Audition Tune-Up - 7/12
Unlocking Your Emotion - 7/13
Commercial Fast Track - 7/15-28
Acting For VO & More - 7/27-8/10
VO Techniques - 7/31-8/14
Home Recording: Audacity - 8/8
Small Group Workout - 8/8
INTRO: Starting Out - 8/12
Your Money Voice - 8/13
Home Recording: Studio - 8/16
Stepping Out - 8/19
Creating Characters - 8/19
VO Bootcamp - 8/26


Many classes sell out. Register early! 
 
 
 
 
 
Finding Your Melody is the latest app from Voice One. It provides information and resources on the following:

* Voice Over Training
Business Presentation Coaching
Audio Production
Finding Melody in your Voice
Voice & Diction Strengthening
There’s Money Where Your Mouth Is text book
Preparing to Record Your Voice course
 
 
 
 
 

Casting Database

 
 
 
 







 One-time setup of $50 plus
$10/month for first year.
Just $60/year thereafter.

Producers are listening
 
 
 
 
How To Minimize Sibilance
by Elaine Clark

Sibilance is the result of an exaggerated “s” sound. It is reminiscent of a leaky radiator, slithering snake, or radio station as it loses its signal. Minor sibilance distortions can be corrected in the studio by using a “de-esser” during the recording or afterwards in post. This high frequency sound is created when someone has dental problems (like missing teeth or loose dentures); the s, sh, and z sounds are not differentiated but all are spoken as an s; sustaining the s sound too long; or having too many sibilant words in a single sentence.
There are a few ways to minimize sibilance:

1. Smile on the s sound. This pulls the s backwards as the lips are separated, spread apart, and pulled back.
2. Drop the jaw quickly every time you say an s. This breaks the continuous sound.
3. Place s words at different musical pitches to separate the sounds.
4. When sibilance can’t be fixed using one of these techniques, point your index finger upward and position it in the center of your mouth. It won’t fix the pitch, but it will help prevent the air from hitting the microphone and amplifying the problem.

Exercises:
1. Say the word “yes.” Hold onto the final consonant and put your hand in front of your mouth. If the s is properly formed, you should not feel a rush of air. If you do feel air, adjust the mouth placement. Repeat the s sound eight to ten times, making sure that each sound is short, crisp, and concise. Using this succinct s technique, say the following phrase:
I kissed the silly salesperson that sold me this mattress for
seventeen cents.

2. The sh sound cuts through the air like wind through a car window. The tongue accepts a neutral position and the lips protrude slightly forward, as evidenced in the words “hush” and “shush.” Say the words and feel the placement of the lips on the final sh sound as a steady flow of air rushes out. Now, repeat it eight to ten times so that it creates a short burst of sound. Notice how the lips protrude and retract at each verbalization. Using
pronounced lip movements, read the following sentence aloud. Note that not all sh sounds are spelled the same way, like in the word “surely.”
Josh, I surely wish you wouldn’t push people when you rush to pay cash for Shirley’s new plush dishtowel.

For more exercises to prevent sibilance, read pages 23-25 of There's Money Where Your Mouth Is.
 
 
 
 
Sunday Drop-In Improv
 
 
 
Next session is July 23

​​$15 cash at the door.

To receive weekly improv updates, click here.
 
 
 
 
Join Us  
 
      
 
 
Voice One
Voice-Over > On-Camera > Improv > Casting > Audio Production
665 Third Street, Suite 227  San Francisco, California 94107   

Tel: 415-974-1103  Fax: 415-974-1105 vone@aol.com  www.voiceone.com
 
 
Footer-logo